大鸟和小鸟

关键词：皮埃尔·保罗·帕索里尼 The Hawks and the Sparrows   鹰与麻雀 剧情 喜剧 奇幻 

BT高清网为您提供1966年由托托,尼内托·达沃利,费米·贝努西,Umberto Bevilacqua,Renato Capogna,Alfredo Leggi,Pietro Davoli,雷纳托·蒙塔尔巴诺,Rosina Moroni,Flaminia Siciliano,Lena Lin Solaro,Gabriele Baldini,Giovanni Tarallo,Ricardo Redi,Vittorio Vittori,罗萨纳·迪罗科,Cesare Gelli,维托里奥·拉帕利亚,Francesco Leonetti,多明戈·莫都格诺,菲德斯·斯塔尼主演,皮埃尔·保罗·帕索里尼导演的《大鸟和小鸟》/原名《Uccellacci e uccellini》/又名《The Hawks and the Sparrows / 鹰与麻雀》剧情,喜剧,奇幻电影在线观看完整版,《大鸟和小鸟》百度云网盘资源以及《大鸟和小鸟》高清蓝光mp4迅雷下载，《大鸟和小鸟》BT下载资源，希望您能喜欢！

导演：皮埃尔·保罗·帕索里尼 

主演：托托 尼内托·达沃利 费米·贝努西 Umberto Bevilacqua Renato Capogna Alfredo Leggi Pietro Davoli 雷纳托·蒙塔尔巴诺 Rosina Moroni Flaminia Siciliano Lena Lin Solaro Gabriele Baldini Giovanni Tarallo Ricardo Redi Vittorio Vittori 罗萨纳·迪罗科 Cesare Gelli 维托里奥·拉帕利亚 Francesco Leonetti 多明戈·莫都格诺 菲德斯·斯塔尼 

Plot Summary:Joe This richly symbolic film is really impossible to understand without some knowledge of 20th Century Italian history, and particularly the power of the Roman Catholic Church. The Lateran Treaty of 1929 finally politically separated Italy from Church power by creating the Vatican as a sovereign state. But the trade off was the that the Church was still left in power over many aspects of everyday Italian life. For instance, Italy finally established a civilian divorce law through a bitterly contested 1970 referendum. Before then, divorce was under strictly in the domain of Church law, and the Church NEVER granted a divorce, even in extreme cases like when a spouse was abandoned many years hence. Overall, however, the power of the Church still resided in the blind allegiance of Italians at all levels to Church morality. Over decades, this led to impeding Italy's social and political progress, and greatly maintained the status quo in the division between the privileged upper class & the downtrodden masses. The Leftist & Communist movements that began after WWII battled against this status quo, and indirectly against the Church through Progressive agendas. ALL This doesn't even amount to an adequate thumbnail of all the issues that this film touched upon. Pasolini really needed to couch this head-on criticism of contemporary Italian society in a comedy, because I suspect that at some level he would have feared for his life had he delivered a more serious work covering the same controversial topics.